2019 was an exciting year in reading for me: I started this blog as a way to communicate my thoughts and feelings on great reads, to promote horror, and to connect with more readers and authors. Overall, I would say the year was a successful one as far as those goals went – even though the last few months got away from me due to life issues. I didn’t set much of a posting timeline going in, but I was able to read and post regularly up to October. Moving into 2020, I’m going to try to post at least twice monthly – hopefully more! Look for a “What to Expect in 2020” post coming your way very soon!
Throughout 2019, I was able to read 74 books. Most were 4 and 5 star reads so narrowing it down to five was really difficult! Nevertheless, here they are – in no particular order. My top 5 reads of 2019:
Links to my reviews have been embedded in the titles if you would like to read them. 13 Views and Westlake Soul are currently out-of-print, but look for them in your local library on on the secondary market – they are absolutely worth tracking down.
A surreal novella by Samanta Schweblin and translated by Megan McDowell
4/5 Star Review
It’s nearly the end of September and I am wrapping up the month-long anniversary celebration for The Ladies of Horror Fiction. This lovely team celebrated their first full year of spotlighting the amazing ladies of horror! There was a read-a-thon taking place for the entire month and it featured five different reading challenges – check out this link for the details!
I read Fever Dream for Challenge #3 – Read a Book by a POC (Person of Color). This is my third “official” pick for the read-a-thon.
Fever Dream is a hallucinatory tale of a woman called Amanda who is dying in a rural clinic. At her side sits a young boy called David who pushes her to tell the story of how she arrived there.
I hesitate to say much more about the plot as this is only a novella and it is easy to give too much of the story away. Schweblin is originally from Argentina and paints that landscape clearly in a short amount of time. The tale is set in the country – an area that is still heavily reliant on traditional healers rather than modern medicine.
My only complaint, and it is minimal, is that I felt this story needed to be a little bit longer, needed a little bit more time to cook. There are ambiguous endings and there are endings that just don’t quite feel complete – this felt like the latter to me.
Overall, I quite enjoyed this cautionary tale of modern evils and the plight of those who are only beginning to understand them and their consequences. The novella is a gorgeous blend of surrealism, hallucinations, confusion, unreliable characters, and magic. This is a great little book which should be devoured in one sitting and I recommend this to those who enjoy a healthy mix of magical realism and horror.
A hauntingly beautiful collection by Damien Angelica Walters
5/5 Star Review
It’s September and I am still reveling in the month-long anniversary celebration for The Ladies of Horror Fiction. This lovely team is celebrating their first full year of spotlighting the amazing ladies of horror! If you would like to join in the festivities, there is a read-a-thon taking place for the entire month and it features five different reading challenges – check out this link for more details!
I read Cry Your Way Home for Challenge #1 – Read a Book by an Indie Author. This is my first “official” pick for the read-a-thon and what a way to kick it off! Damien Angelica Walters has some serious writing chops – this lovely lady can crawl under your skin, break your heart, cause you to look over your shoulder, and make you rethink your favorite childhood stories all in the breadth of less than a hundred pages. This book weighs in at 223, so you know you are in for a whirlwind of emotion and horror.
While I enjoy many different sub-genres of horror, my bread-and-butter, the horror that truly resonates with me, is the horror that is born out of emotion. It is the horror that comes from loving someone so deeply and watching them unravel, as in In the Spaces Where You Once Lived; the regret in knowing that you could have made a difference for someone, as in The Floating Girls: A Documentary; and handling the abiding grief of losing a child, as in Falling Under, Through the Dark and Umbilicus.
That being said, the stories collected in Cry Your Way Home are not all riddled with grief and heartache – far from it! This book is a well-blended mix of cosmic horror, fairy tale retellings, magical realism, and science fiction – all spun in a literary style with a dash of some seriously empowering female characters.
Cry Your Way Home is a gorgeous and mature collection of stories. I do not say this about many collections, but there is not one story in this book I didn’t enjoy. They would all be 4 and 5 star ratings if I had to go through each individually. Since finishing this, I have gone on to order the other books Ms. Walters currently has out – Paper Tigers and Sing Me Your Scars. The Dead Girls Club will be released on December 10th of this year. I highly recommend you all give this lady a read!
I have seen a lot of rave reviews for Bunny and the description sounded interesting, so I decided to give it a read — and I am so glad that I did! That being said, there is so much to unpack in this book that I honestly am not even sure where to start.
Samantha Heather Mackey is an outsider at Warren University, an exclusive New England school where she is working on her MFA in the Narrative Arts department. The book begins with the start of her final year, her last semester of Workshop, which she attends with four nearly interchangeable girls who all call each other Bunny. They are rarely apart; they eat miniature food and sweet treats; they praise each other’s work; they move and speak as one; they are a hive mind. Samantha is equally disgusted by them and jealous of their closeness. One day, she receives an invitation from the Bunnies – an invitation that leads her on the path to joining them in a very experimental off-campus Workshop, a way of expressing themselves beyond the written narrative.
At its heart, it’s a Mean Girls story – it’s a Heathers story, delivered allegorically, metaphorically, and at times, quite literally. Somehow Awad seamlessly blends these devices into an extremely relatable story. It’s hard to define the genre for this title any more specifically than weird fiction. Awad has masterfully blended the genres as perfectly as she has the literary devices.
I honestly think this is a book that you need to go into a little blind. To reveal much more of the plot would be to rob you of the full experience of this novel – and experience it you should! This is absolutely not a book to miss! Highly recommended!
For those of you who’ve read some of my reviews, you will have likely noticed that I am brief – both with the description of the book and my thoughts on it. I prefer writing in this format as these are the types of reviews that I like to read. I enjoy going into books relatively blind, without the opinions of others clouding my perspectives on the story. With that being said, it is difficult for me to review Stirring the Sheets without going into the plot to tell you why this wasn’t a full 5 Star read for me. If you’ve not yet read this novella, proceed at your own risk – thar be spoilers ahead!
Emmett, an elderly mortician, has unexpectedly lost his wife of 49 years in a terrible car accident. It’s been a year, and to his neighbors and co-workers, Emmett seems to be doing well. Except he really isn’t. He hasn’t slept in his bed since his wife died so as not to disturb the impression her body left in the sheets. He sleeps on the couch, surrounded by her photos; he will not eat food offered to him by the kind widow on his street because he thinks of it as cheating; in short, Emmett is a man still wrought with grief. One day, Emmett is sent to pick up a body that looks so much like his wife when she was younger, that he decides to bring her home.
Lutzke understands emotions – he is exceptionally skilled at conveying them in a way that really packs a punch. You feel every bit of Emmett’s grief in this story. It broke my heart to see him lean over the side of their bed where his wife slept to look at the impression left in the sheets and to smell her pillow. I have known loss and Lutzke gets it.
The story loses me when Emmett decides to bring the body of the woman home. He has been established as a man who respects the dead and the grieving, he considers this skill a service to his community. He takes meticulous care for the dead and the grounds of the funeral home. The mere fact that he would embalm a body without the permission of the family, steal it, take it home, and then cremate it earlier than he normally would have to cover it up – it is so mind-boggling wrong that I can’t get behind it. Everything we know about Emmett does not support this.
It should be said that there is nothing overtly sexual about the night Emmett spends with the dead woman. He wants the last night with his wife that he never got to have. This act is his catharsis. In the morning he is ashamed of what he has done and is finally able to begin the process of healing and moving on with his life.
This was a polarizing read for me. The story ran the gamut from 2 to 5 stars. I ultimately decided on the 4/5 Star rating due to how much this novella made me think about the story, human behavior, grief, and how I would handle losing a spouse of 49 years. I read this book weeks ago, but haven’t really been able to articulate my thoughts and feelings until now.
If you have read this, please comment! I would love to hear other perspectives on this book – whether you agree with me or not. This was a complicated read for me and I would love to have a discussion about it.
Continuing on with Women in Horror Month, I read the phenomenal short story collection Things We Lost in the Fire. Mariana Enriquez is a novelist and journalist from Argentina and this is her first work to be published in English. I truly hope that there will be more of her work to come.
Short stories are my favorite medium for horror, but it is rare to find a single collection where every story is fantastic – Things We Lost in the Fire is an exception to this. There are twelve stories in this book and Every. Single. Story. is impactful, some are brutal, and all are poignant.
The author seamlessly blends horror, culture, politics, and the socio-economic climate of Argentina into these perfectly executed tales of ghosts, sadness, loss, and monsters. Each story has its own particular flavor and the collection is home to everything from magical realism to cosmic horror.
Trying to pick favorites out of this collection is near impossible, but some that have stuck with me are The Dirty Kid, about Saints, sacrifices, and missing children; Adela’s House, what happens when you face your fears and explore the haunted house; The Neighbor’s Courtyard, why you should always question a rental that seems to good to be true; Under the Black Water, about awakening an ancient evil that’s been asleep for a long time; and the title story, Things We Lost in the Fire, a sort of feminist call-to-arms. I realize that is nearly half of the stories – but this is book is just that good!
I purchased this collection after reading so many positive reviews and am so glad that I did! It has to the potential to speak to so many different audiences – don’t let this one pass by. Highly recommended!