Don’t Turn Out the Lights


A Tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark edited by Jonathan Maberry

2.5/5 Star Review

I can’t tell you how much it kills me, absolutely kills me, to rate this book as just “ok.” Everything about it should have been 5 stars – A great author as editor? Check. Tribute to Scary Stories to Tell in the Dark? Check. A fantastic stable of writers? Check. And yet… This anthology really missed the mark for me.

Admittedly, Schwartz’s trilogy of Scary Stories is my gold standard. I was one of those kids who always started a new hold for them at the library as soon as I returned them. They were my doorway in to horror and it’s hard to hold a candle to them. I have gone back and read them many times as an adult and they still hold up.

I read Don’t Turn Out the Lights with that in mind. I tried not to compare the two books too closely because it’s not a fair expectation. I read this anthology for what it is, a tribute and a new generation of writers telling their scary stories.

My issues mostly lay with the unevenness of the collection. The book is marketed as YA horror and some of the stories are, but some are written to a very young middle-grade market. Like its predecessor, the stories in Lights can be read to yourself or aloud to others, but so many are missing that – Boo! ending. You know the one I’m talk about – the one that makes you look behind you, over your shoulder to see what’s waiting in the darkness. Many of these tales just… end. They leave you feeling incomplete and wondering what the heck happened. I feel one of the greatest faults lies with adult horror authors not knowing how to write to a YA audience. It is my opinion that they feel they need to write down to teens and they don’t give them the credit they deserve as readers. One of the most glaring examples of this was in The Cries of the Cat by Josh Malerman. I adore Malerman and the premise he had was a creepy one, but it felt so watered down that it lost its way.

Having said all that, there are some standout stories in this collection:

The Neighbor by Amy Lukavics – Dennis makes a new, unwanted friend with the little boy he sees across the street.

Tag, You’re It by N.R. Lambert – Nick keeps getting tagged in photos by someone who seems to be physically getting closer and closer.

Lint Trap by Jonathan Auxier – Jasper’s family moves into a new house and he starts talking to the children who live in the dryer in the basement.

Brain Spiders by Luis Alberto Urrea & Rosario Urrea – What happens when the kids in class start bullying the new girl from another country?

Mud by Linda D. Addison – Maurice fights his mother about taking baths and she sends him off to his grandmother’s house for an unforgettable sleepover.

The Tall Ones by Madeleine Roux – Estrella tries to convince the new boy in town that the town’s customs and traditions must be honored or else something may happen to him and his family.

I think there are enough stories in here that make checking out this collection worthwhile. It would be a good pick for a library check-out for sure.

If you’re an adult trying to recapture a little bit of that Scary Stories magic, I actually recommend picking up Corpse Cold by John Brhel & Joe Sullivan and illustrated by Chad Wehrle. I reviewed it here last year. To date, it is the next best thing to them that I have read.

Thanks to NetGalley and HarperCollins for making this digital ARC available for me to review. Don’t Turn Out the Lights releases on September 1st 2020.

Paperbacks from Hell

The Twisted History of ’70s and ’80s Horror Fiction by Grady Hendrix with Will Errickson

5/5 Star Review

What is there to possibly say about this glorious book that hasn’t already been said? I read this book last fall and keep going back to it over and over again. To those few of you who may be unfamiliar, Paperbacks from Hell is an ode to the bygone days of horror, broken down by the popular tropes of the ’70s and ’80s: Satanism, Creepy Kids, Killer Animals (of all kinds), and Science gone horribly, horribly wrong – just to name a few. This is an over-sized paperback book that is absolutely brimming with the tremendous cover art that graced these books back in the day. Let’s be honest – most of the time, the covers were far, far better than the actual books.

I am a child of the early ’80s, so much of what I discovered here was brand new to me. That being said, there were still some fun moments of nostalgia to be had when I saw V.C. Andrews creep up in the opening of the Gothic and Romance chapter; old favorites R.L. Stine and Christopher Pike leaping from the section entitled, Won’t Somebody Think of the Children?; and unfortunately, the downfall, the Death Rattle, and the discussion of the Dell Abyss line – Poppy Z. Brite got me through high school, dear readers.

Like the many others who came before me, I finished Paperbacks from Hell and knew that I had to own these new-to-me books and seek out titles that I used to own 25 years ago. It’s been an expensive year, friends.

Paperbacks from Hell has made old fans nostalgic and new fans hungry for the horror that came before. Along with the thriving independent publishing scene, this resurgence has helped to bring horror back into the light and birth a whole new generation of fans.

I can’t recommend this book enough – whether you’re a fan of the genre, or the artwork, or just want to know more about pulp classics – this book is the bee’s knees.

Need more? I also recommend checking out the sites below:

Grady Hendrix – Check out the author’s page and subscribe to his free newsletter. It’s like receiving free mini-sequels to Paperbacks right in your own mailbox! Don’t forget to check out Book Reviews of the Damned and read Grady’s take on some of the trashiest, craziest books he can find!

Too Much Horror Fiction – Check out co-author Will Errickson’s review blog. This site is an absolute treasure chest of mainstream and obscure horror. You can get lost on here for days!

Valancourt Books – A small, independent press that specializes in the rediscovery of rare, neglected, and out-of-print titles. These excellent folks have teamed up with Hendrix and Errickson to resurrect some of the titles featured in Paperbacks from Hell and they have been reprinted with new introductions by either Grady or Will. Valancourt has done their best to retain the original cover art where possible and have already released the first wave of five titles. The second wave is just launching – be sure to check it out!

House of Salt and Sorrows

A Gothic Retelling of The Twelve Dancing Princesses by Erin A. Craig

5/5 Star Review

September has passed, but with this entry, I am wrapping up my reviews from the month-long anniversary celebration for The Ladies of Horror Fiction. This lovely team celebrated their first full year of spotlighting the amazing ladies of horror! There was a read-a-thon taking place for the entire month of September and it featured five different reading challenges – check out this link for the details!

I read House of Salt and Sorrows for Challenge #4 – Read a Book by a YA or Middle Grade Author. This was my fifth and final “official” pick for the read-a-thon.

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee; —

Annabel Lee – Edgar Allan Poe

I realize that I began this review by stating House of Salt and Sorrows is a fairy tale retelling, and it most definitely is – but it is impossible to ignore the homages to Edgar Allan Poe scattered throughout as well.

As the novel opens, Annaleigh Thaumas, our protagonist and the seventh of twelve daughters, is mourning the loss of her sister – the fifth familial death in but a few short years. They began with her mother and four of her eldest sisters followed – each death more tragic than the last. The deeply superstitious village believes that the family is cursed and none of the daughters believe they will ever marry well, if at all. After a series of events, they discover a hidden door in the family crypt that carries them anywhere their hearts’ desire. This leads to the girls sneaking out every night to attend balls all over the kingdom. As inevitably happens in fairy tales, situations and people are not often as they appear and the girls find themselves in terrible danger.

House of Salt and Sorrows has all of the common Gothic tropes – death and decay, haunted estates, family curses, madness, powerful love/romance, and ghosts. Craig writes them beautifully and weaves them into the setting and atmosphere of this novel. The setting is its own character in House; It is a raging sea, high cliffs, salty air, and sprawling manor. It is palpable. It paints the novel in blues and greens and grays that you can see as you read.

I would also like to mention, briefly, the mythology that Craig has built into this world. She has created a pantheon of gods that are worshiped in this land and they are reminiscent of those from the Greek and Roman mythos, but they have their own unique quirks. They are embedded in the day-to-day life of the people who live in this land and are therefore quite important to the story. I truly hope the author decides to revisit this world with another story. Craig has a strong talent for world-building.

As a final note, I want to remind readers that this is a YA book. If you go in expecting anything too grotesque or dark, you’re going to be disappointed. If you know what you are walking into – I think you will really enjoy this spooky little sea gem.