2019 was an exciting year in reading for me: I started this blog as a way to communicate my thoughts and feelings on great reads, to promote horror, and to connect with more readers and authors. Overall, I would say the year was a successful one as far as those goals went – even though the last few months got away from me due to life issues. I didn’t set much of a posting timeline going in, but I was able to read and post regularly up to October. Moving into 2020, I’m going to try to post at least twice monthly – hopefully more! Look for a “What to Expect in 2020” post coming your way very soon!
Throughout 2019, I was able to read 74 books. Most were 4 and 5 star reads so narrowing it down to five was really difficult! Nevertheless, here they are – in no particular order. My top 5 reads of 2019:
Links to my reviews have been embedded in the titles if you would like to read them. 13 Views and Westlake Soul are currently out-of-print, but look for them in your local library on on the secondary market – they are absolutely worth tracking down.
A Gothic Retelling of The Twelve Dancing Princesses by Erin A. Craig
5/5 Star Review
September has passed, but with this entry, I am wrapping up my reviews from the month-long anniversary celebration for The Ladies of Horror Fiction. This lovely team celebrated their first full year of spotlighting the amazing ladies of horror! There was a read-a-thon taking place for the entire month of September and it featured five different reading challenges – check out this link for the details!
I read House of Salt and Sorrows for Challenge #4 – Read a Book by a YA or Middle Grade Author. This was my fifth and final “official” pick for the read-a-thon.
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee; —
Annabel Lee – Edgar Allan Poe
I realize that I began this review by stating House of Salt and Sorrows is a fairy tale retelling, and it most definitely is – but it is impossible to ignore the homages to Edgar Allan Poe scattered throughout as well.
As the novel opens, Annaleigh Thaumas, our protagonist and the seventh of twelve daughters, is mourning the loss of her sister – the fifth familial death in but a few short years. They began with her mother and four of her eldest sisters followed – each death more tragic than the last. The deeply superstitious village believes that the family is cursed and none of the daughters believe they will ever marry well, if at all. After a series of events, they discover a hidden door in the family crypt that carries them anywhere their hearts’ desire. This leads to the girls sneaking out every night to attend balls all over the kingdom. As inevitably happens in fairy tales, situations and people are not often as they appear and the girls find themselves in terrible danger.
House of Salt and Sorrows has all of the common Gothic tropes – death and decay, haunted estates, family curses, madness, powerful love/romance, and ghosts. Craig writes them beautifully and weaves them into the setting and atmosphere of this novel. The setting is its own character in House; It is a raging sea, high cliffs, salty air, and sprawling manor. It is palpable. It paints the novel in blues and greens and grays that you can see as you read.
I would also like to mention, briefly, the mythology that Craig has built into this world. She has created a pantheon of gods that are worshiped in this land and they are reminiscent of those from the Greek and Roman mythos, but they have their own unique quirks. They are embedded in the day-to-day life of the people who live in this land and are therefore quite important to the story. I truly hope the author decides to revisit this world with another story. Craig has a strong talent for world-building.
As a final note, I want to remind readers that this is a YA book. If you go in expecting anything too grotesque or dark, you’re going to be disappointed. If you know what you are walking into – I think you will really enjoy this spooky little sea gem.
My final read for February, and for Women in Horror Month, was the darkly humorous and enjoyable My Sister, The Serial Killer.
Oyinkan Braithwaite is an author from Nigeria and this is her first novel published in the United States. She is yet another international author that I hope to read more from in the future.
My Sister, The Serial Killer follows older sister, Korede, and her younger sister, Ayoola. Korede is a respected nurse in a local hospital and her sister designs clothing and has a habit of killing her boyfriends in “self-defense.” Korede always gets the call and helps Ayoola clean up. Korede begins to question her loyalty to her sister when Ayoola starts to date the handsome, young doctor that Korede is secretly in love with. What’s a girl to do when your serial killer sister is moving in on the man you love?
Korede and Ayoola both share different naivetes when it comes to men and social graces. Ayoola understands what men want – even seemingly good-hearted men and tries to make Korede understand. Korede tries to make Ayoola understand that it’s poor form to SnapChat days after your boyfriend has gone missing.
Braithwaite’s use of political and culture satire is masterful and makes this novel work in a way that makes you sympathetic to these otherwise unlikable characters.
Highly recommend this quick read to horror and thriller fans – especially for those who enjoyed the early Dexter books.
Continuing on with Women in Horror Month, I read the phenomenal short story collection Things We Lost in the Fire. Mariana Enriquez is a novelist and journalist from Argentina and this is her first work to be published in English. I truly hope that there will be more of her work to come.
Short stories are my favorite medium for horror, but it is rare to find a single collection where every story is fantastic – Things We Lost in the Fire is an exception to this. There are twelve stories in this book and Every. Single. Story. is impactful, some are brutal, and all are poignant.
The author seamlessly blends horror, culture, politics, and the socio-economic climate of Argentina into these perfectly executed tales of ghosts, sadness, loss, and monsters. Each story has its own particular flavor and the collection is home to everything from magical realism to cosmic horror.
Trying to pick favorites out of this collection is near impossible, but some that have stuck with me are The Dirty Kid, about Saints, sacrifices, and missing children; Adela’s House, what happens when you face your fears and explore the haunted house; The Neighbor’s Courtyard, why you should always question a rental that seems to good to be true; Under the Black Water, about awakening an ancient evil that’s been asleep for a long time; and the title story, Things We Lost in the Fire, a sort of feminist call-to-arms. I realize that is nearly half of the stories – but this is book is just that good!
I purchased this collection after reading so many positive reviews and am so glad that I did! It has to the potential to speak to so many different audiences – don’t let this one pass by. Highly recommended!