A transgressive horror anthology by John McNee
5/5 Star Review
Do you remember the first time that your read Clive Barker or Poppy Z. Brite? Or the first time you discovered books published under the old Dell Abyss imprint or the splatterpunks of the 1990s? That feeling – that excitement – of knowing that horror can be both brutal and beautiful? That’s where I am with John McNee’s Doom Cabaret.
Like Brite and Barker, McNee has perfected the art of presenting taboo acts of extreme horror, violence, and gore as art. He makes the grotesque palatable by painting it with smooth curves and soft edges – acceptable in its brutality.
Doom Cabaret is comprised of eight short stories – all of which are worth mentioning: Bebbel – A story of dark magic and a carnival sideshow; Dead Deanna – About a girl who won’t take ‘no’ for an answer; Man Holding Razor Blade – Sometimes art takes on a life of its own; Slaughterhouse Sweetheart – Some men can never stop playing with their food; Skunk Jr. – A story about a couple who finally get a baby of their own; Repulsive Glamour – A cautionary reminder not to anger the gods; The Lullaby Man – A girl confronts her childhood nightmares; and the title story, Midnight at the Doom Cabaret – A sinister nightly show whose main act is always different and always chosen by the patrons.
If I have struck a chord reminiscing about 90s horror, or if you are looking for a darkly beautiful slice of the macabre, John McNee’s Doom Cabaret is available now! I have placed a link to the book on the title image above.
This was my first time reading McNee and I can guarantee that it won’t be the last. It’s been awhile since I have been so very excited about a new author! My next dive into his works will be his novel, Prince of Nightmares, published by Blood Bound Books in 2016.
Please note that I did receive this title as a review copy in exchange for an honest review.