Ghoul

A coming-of-age horror novel by Brian Keene

5/5 Star Review

It’s the last week of April and you know what that means – we are halfway to Halloween! Over on the Spine Breakers YouTube channel, Sue and Megan have been hosting Halfaweenathon 2020. You can find the the original video and the reading challenges here.

I read Ghoul for challenge #2 – Read a spooky book and then watch the movie (or TV) adaptation.

Ghoul is a perfect example of quintessential coming-of-age horror. The novel takes place over the summer of 1984. Three boys, twelve years old and best friends, are going through their own separate hells at home, fighting a supernatural monster, and becoming more grown-up than they should ever have to be over the course of just one season.

Timmy, Doug, and Barry live in small-town PA and their primary playground is the cemetery that sprawls next to Timmy and Barry’s homes. They notice that something seems to be going on when Barry’s dad, the cemetery caretaker, warns them away from playing there anymore and tells them to never come near it again at night. Days later, they notice some of the gravestones seem to be sinking into the earth. As more holes seem to be opening up and people start to go missing, the boys make plans to try and explore what they believe to be an underground cave system underneath the cemetery. Amidst their outdoor adventures, each of the boys is dealing with their own issues at home. Barry lives with a verbally and physically abusive father; Doug lives with a mother who is far too physical with her affections; and Timmy is dealing with the death of a family member and a father who demands he grows up too quickly.

Ghoul reminds us that there are things in this world that we perceive to be monsters, but that they are only doing what it is in their nature to do. It reminds us that humans can be monsters, and they they can be the most monstrous of all. Highly, highly recommended read!

I read my old Leisure copy of Ghoul that is no longer in print. You can find the current version linked here that is in print through Deadite Press. If you want to go all out – I highly suggest ordering the June 2020 Night Worms package, “Boys of Summer.” One of the books included will be an exclusive version of Ghoul published by Poltergeist Press with new cover art and a new introduction written by Brian Keene – read more about it here.

I’m only going to say a few words about the movie. It was released in 2012 and made for Chiller TV. I rented it through Amazon Prime and watched it a few nights ago. It was incredibly disappointing. It was missing all of the heart from the book and the filmmakers made some serious changes to the plot, particularly in regards to the ghoul itself. The changes could have worked, or at least not have been as glaringly out of place, if they hadn’t tried to use so many direct lines from the novel. Delivering the lines without context, or completely different context, just made for a muddy mess. I highly recommend skipping over the movie and just reading the book.

A Cosmology of Monsters

A generational novel of cosmic horror by Shaun Hamill

5/5 Star Review

I am not normally lured in by cover blurbs, but this one – this is the one that got me to pick up the book:

“If John Irving ever wrote a horror novel, it would be something like this. I loved it.” —Stephen King

If there is one element of story I think of when I think of both Stephen King and John Irving, it would have to be character narrative. Both authors have an incredible talent for creating characters that are people you know, or have known. They are friends, lovers, acquaintances, family members. As it would turn out, A Cosmology of Monsters completely lives up to the comparison.

In my opinion, Monsters is, at its heart, a generational family drama with elements of cosmic horror and weird fiction woven throughout the narrative. I came for the characters and stayed for the horror. You should know that going in. If you are taking the plunge and are expecting a straight horror story, you may be disappointed. This is a slow-burn. If you enjoyed King’s Revival or Duma Key – this would be a book you would absolutely love. It’s a novel that takes its time, but as it unfurls it is so very, very good!

Noah Turner is our narrator and the book is broken up into four parts – The story of Noah’s parents and the story of Noah’s childhood, adolescence, and adulthood. We follow the family’s highs and lows as they revolve around the designs of a great haunted house that grows from a front yard set-up to a full-size attraction called, The Wandering Dark. The family experiences loss and heartbreak and as the reader, we are there for every moment. Throughout, there are glimpses of the weird, the abnormal, and every taste leaves you wanting to know more. I hesitate to say anything else as this is a book I think you should walk into blind.

A Cosmology of Monsters is the number one contender for the best novel that I have read so far in 2020. It’s going to take to take a real doozy to unseat this one, but even then, I don’t think anything could drop if from my Top 5. If you like weird fiction or quiet, literary horror – you are doing yourself a disservice if you let this one go by without a read.

End of the Road

Essays from The Farewell (But Not Really) Tour by Brian Keene

5/5 Star Review

When my pre-ordered copy arrived in the mail, I was only going to crack it open – just to take a peek. That peek lasted the rest of the night and into the next day. In less than 24 hours, I had completely consumed the book that I was intending to savor. C’est la vie. What can you do?

End of the Road is comprised of all of the essays that Keene wrote for Cemetery Dance Online during his Farewell (But Not Really) Tour in 2016. Cemetery Dance Press has collected all of the essays, plus a few extras – including a wonderful introduction from Gabino Iglesias – into a beautiful signed and numbered hardcover. As of this posting, it’s still in stock and limited to 750 copies. It’s a steal at only $40.

These essays are raw, heart-felt, and honest. If you listen to Keene’s podcast, you’ll know that he often speaks of bleeding onto the page – and that’s exactly what he has done here. He channels Hunter S. Thompson in a whisky-fueled cross-country tour and discusses his thoughts on grief, loss, mortality, longing, familial bonds, fandom, horror, friendship, love, art, comics, the rise and fall of horror publishing, and the craft itself.

I had the pleasure of meeting Brian Keene and John Urbancik on this tour when they were in Oviedo, Florida. They were signing at the Barnes & Noble in the mall there. Kudos to Chris Kosarich for organizing this event – by the way! The signing was a blast and it was my first time meeting both of them. I picked up Stale Reality by Urbancik and the two books Brian was promoting on the tour- Pressure and The Complex. Both authors were incredibly gracious and Brian even signed all my backlist books that I brought with me. I mention this because it was a great experience and Brian was so jovial – it’s hard to imagine, looking back at that signing after reading these essays, how very much he was going through in his personal life at that time. Let it never be said Keene is not on for his fans.

I’ve enjoyed so many of Brian’s novels and this was my first foray – aside from his newsletters – into his non-fiction and I am hooked! I just bought The Triangle of Belief for my Kindle and can’t wait to get to it! A “memoir-styled treatise on faith, religion, the occult, atheism, agnosticism, science, and the supernatural…” Yes, please!!

Stirring the Sheets

A novella of grief and loss by Chad Lutzke

4/5 Star Review

For those of you who’ve read some of my reviews, you will have likely noticed that I am brief – both with the description of the book and my thoughts on it. I prefer writing in this format as these are the types of reviews that I like to read. I enjoy going into books relatively blind, without the opinions of others clouding my perspectives on the story. With that being said, it is difficult for me to review Stirring the Sheets without going into the plot to tell you why this wasn’t a full 5 Star read for me. If you’ve not yet read this novella, proceed at your own risk – thar be spoilers ahead!

Emmett, an elderly mortician, has unexpectedly lost his wife of 49 years in a terrible car accident. It’s been a year, and to his neighbors and co-workers, Emmett seems to be doing well. Except he really isn’t. He hasn’t slept in his bed since his wife died so as not to disturb the impression her body left in the sheets. He sleeps on the couch, surrounded by her photos; he will not eat food offered to him by the kind widow on his street because he thinks of it as cheating; in short, Emmett is a man still wrought with grief. One day, Emmett is sent to pick up a body that looks so much like his wife when she was younger, that he decides to bring her home.

Lutzke understands emotions – he is exceptionally skilled at conveying them in a way that really packs a punch. You feel every bit of Emmett’s grief in this story. It broke my heart to see him lean over the side of their bed where his wife slept to look at the impression left in the sheets and to smell her pillow. I have known loss and Lutzke gets it.

The story loses me when Emmett decides to bring the body of the woman home. He has been established as a man who respects the dead and the grieving, he considers this skill a service to his community. He takes meticulous care for the dead and the grounds of the funeral home. The mere fact that he would embalm a body without the permission of the family, steal it, take it home, and then cremate it earlier than he normally would have to cover it up – it is so mind-boggling wrong that I can’t get behind it. Everything we know about Emmett does not support this.

It should be said that there is nothing overtly sexual about the night Emmett spends with the dead woman. He wants the last night with his wife that he never got to have. This act is his catharsis. In the morning he is ashamed of what he has done and is finally able to begin the process of healing and moving on with his life.

This was a polarizing read for me. The story ran the gamut from 2 to 5 stars. I ultimately decided on the 4/5 Star rating due to how much this novella made me think about the story, human behavior, grief, and how I would handle losing a spouse of 49 years. I read this book weeks ago, but haven’t really been able to articulate my thoughts and feelings until now.

If you have read this, please comment! I would love to hear other perspectives on this book – whether you agree with me or not. This was a complicated read for me and I would love to have a discussion about it.